Piero Fornasetti first used this motif in 1954 for the decoration of his 'Geometrico' screen. Variations on the chessboard theme and perceptual illusions play with the contrast between black and white. A foray into abstract, minimal, contemporary art, without sacrificing the eccentric Fornasetti spirit.
Combine with Frutto e Geometrico for an extension of the design with added whimsy or use in insolation for a masterclass in bold geometry.
